LU
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Waking up after giving birth, Mayang gets the news unlike what she expects from Reza, her husband: their first baby has died. Both of them are experiencing tremendous depression. Mayang can not accept it. Everyone at the hospital is sure that she is hallucinating. She contacts the police to look for a bright spot in this strange case. Dr. Vera who helped her give birth, provides evidence: the document of her baby's death with several photographs of the incident. Mayang who chooses not to give up begins to be considered crazy by some people in the hospital, including her own husband. Moreover, she feels to be followed by a spirit.
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We’regoing#BehindTheAttraction…figuratively,andliterally.Discovermoreaboutyourfavorite#DisneyParksattractionsintheOriginalSeriesfromexecutiveproducersDwayneJohnson,DanyGarcia,andBrianVolk-Weiss.ThefirstfiveepisodesarestreamingJuly21on#DisneyPlus.
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Lila, a character in a children's story book, suddenly falls out of her paper world and ends up trapped in a place she doesn't belong - And so starts this great adventure where Lila discovers that the only person who can save her is Ramon, the owner of the book who hasn't read it for many years - But it's not going to be easy; Ramon is no longer the little boy he was, he has grown up and has not only stopped reading, but has also stopped believing in fantasy. Lila and her new friend Manuela set out to convince him of what's happening and together they face a dangerous journey to the Desert of Lost Memories, to retrieve Lila's lost book. In this adventure through magical worlds, children will explore and discover the true value of friendship and the power of fantasy.
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皮奥特尔·舒尔金
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After a five-year hiatus from filmmaking, Piotr Szulkin returned in 1990 - with "Femina", based on a novel by Krystyna Kofta and inspired by Luis Bunuel.The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.As beautifully mounted as any of Szulkin's films, it's full of delirious wide-angle imagery (at times recalling the films of Terry Gilliam). Unavailable on DVD even in Poland, this is a most unfairly neglected work by Szulkin.
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罗伯特·斯通
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Arewealoneintheuniverse?Foroverhalfacentury,legendaryNASAengineerandbest-sellingsciencefictionauthor,GentryLee,hasexploredeveryaspectofthisquestionintherealmsofspacescience,roboticexplorationandthehumanimagination.Atage82,hehascometoarevelatoryconclusion.
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Duringanexclusivetour,apowerbreakdowninsideasecretprisonknownastheDeathHousesendstwoagentsfightingthroughalabyrinthofhorrorswhilebeingpursuedbyaruthlessarmyofroaminginmates.Astheyfighttoescape,theagentspushtowardthelowestdepthsofthefacilitywheretheylearnasupernaturalgroupofevilbeingsaretheironlychanceforsurvival.
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Let Me Go is a film about mothers and daughters, it is about ghosts from the past and the impact they leave on the present. Developed from Helga Schneider's true life story, Let Me Go explores the effect on Helga's life of being abandoned by her mother, Traudi in 1941 - when she was just four years old. The film is set in the year 2000 - following not only Helga and Traudi's journeys but the next two generations and how Beth, Helga's daughter and Emily her granddaughter are confronted with the long-term effects of Traudi's leaving. When Helga receives a letter telling her that Traudi is close to death, it is Emily with whom Helga shares the truth. Emily 册unteers to accompany her to Vienna to meet the great-grandmother she thought was dead, and experience the unraveling of the darkest of family secrets.
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Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.
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桑弧
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CAIYuanpei(1868–1940)pourquiSangHuéprouvaituneprofondeadmiration,estlunedesgrandesfiguresdelintelligentsiachinoiseduXXesiècle.Doriginemandchoue,néàShaoxing,ilpasselesexamensimpériauxetobtientlegradededocteuràlgede26ans.Patrioteetréformateur,ilpensequilfautdabordrénoverunsystèmedéducation,totalementobsolète.Iléc...
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本片改编自“洗车活动”实在变乱,对于巴西史上最大贪腐案的胜利考察,经由过程侦察考察员伊万的视角,报告了他以及在巴西联邦警方的团队怎样与巴西联邦查察官协作,揭穿这场错综庞杂的洗钱贪腐筹划,以及在巴西国度石油公司高管,当局承包商,政党跟各级当局官员包含国会两院跟内阁部长,现任跟后任巴西总统之间的行贿与纳贿。 全片触目惊心地展示了考察职员们面对的摩擦伤害等细节进程,以及阻拦考察的种种阻碍,另有联邦法官症结人物怎样顶着伟大压力阻拦官员消灭案件证据而逃出法网。 伊万与他的团队经由过程一步一步的考察进程,将一开端只是对毒贩以及洗钱罪犯的考察回升到了一场袭击国度腐烂旁边气力的活动,之间瞄准巴西前总统卢拉( Luiz Inácio Lula da Silva) 这是一个对于男子跟女人一同抗争腐烂政体以及试图证实无人可以高出于执法之上的故事。
