Fern
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海因米·洛伦特
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InthesecondseasonofElCid,afterthedeathofKingFernando,hissonsSancho,AlfonsoandGarcíabecamethekingsofCastilla,LeónandGalicia,respectively.Urraca,ladyofZamora,willhandlethethreadsofpowerandwewilldiscoverherdarkerside.ThedisputesbetweenthemwilltransformtheIberianPeninsulaintoafieldofbloodybattles.Ruyisknighted,butintheprocesshewillhavetosacrificewhathelovesmosttobecomeatruehero.
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艾瑞克·莎莫
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At the 20th floor of a skyscraper, a gas leak has started a fire. Anne and Ben Bronson, two teenage kids, are trapped in a fiery inferno 20 - storeys above the ground, while the fire is spreading throughout the entire building. From the 60th floor, their parents, Brianna and Tom, who were about to sign their divorce papers, will have to fight together to save their family from the flames. Even if Brianna is a brilliant structural engineer, will she find out a way to stop this uncontrolled fire ?
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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马蒂娜·普鲁拉
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Inken(Kya-CelinaBarucki),Vicky(JuliaNovohradsky)undLena(NhungHong)sindbesteFreundinnenundhabeneingemeinsamesZiel:denerstenOrgasmus.DieselbstbewussteInkenversuchtdabei,ihrerRivalinCheyenne(ZoëPastelleHolthuizen)nachzueifernundwartetungeduldigaufdenHöhepunktmitihremFreundTim(JasonKlare).LenahingegensammeltdenMut,ihrenSchwarmNick(JamieLeeWilliams)anzusprechen,währendVickyeinenkleinenUmwegmachtundstattErfüllungzunächsteinenVaginalpilzeinfängt.NebendiesenAbenteuernwirddieFreundschaftderdreidurchGeheimnisseaufdieProbegestellt,InkensbesterFreundFlin(YoranLeicher)willnichtlängerinderFriendzonefeststecken,undihrVaterGero(HenningBaum)starteteigeneromantischeEskapaden.AlsdannnocheinunerwartetesErlebnismiteinemFahrradfürInkenallesverändert,nehmendieEreignisseihrenLauf.
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由FernandoSolanas监制并任摄影和剪辑，找来自己当年的老搭挡OctavioGetino和一群“解放电影小组”的成员，个个都是阿根廷新浪潮里的革命派人物，拍摄了这部长达210分钟共12章节的黑白纪录片，真实记录下1969年5月29日阿根廷人民走上科尔多巴市的街头反抗翁加尼亚（Ongania）军事专政的场景，阿根廷反抗独裁争取自由之路由此开始。“解放电影小组”（GrupoCineLiberación）由Solanas和OctavioGetino、GerardoVallejo三人组建，吸收了一批当时优秀的新浪潮导演，以拍摄纪录片为主，虽然其成员各自的政治信仰不尽相同，有些信仰马克思主义，有些则推崇贝隆主义，但对独裁专治的共同憎恶使他们走到了一起。而“解放电影小组”也与阿根廷左翼先锋导演RaymundoGleyzer的“CinedelaBase”、古巴ICAIC的革命电影、巴西新浪潮、及玻利维亚的JorgeSanjines共同奠定了拉美第三世界电影运动的基础。本片是继《燃火的时刻》后拉美影史上又一部重要的政治纪录片，在71年柏林电影节上全体创作人员共同获得了FIPRESCI奖。
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Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes MalvísFendetestas too seriously. This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods. The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. El Bosque Animado was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal Amanece Que No Es Poco, and Así En El Cielo Como En La Tierra. Those are movies so personal that stress the Spanish culture. The young directors should take note of films like El Bosque Animado, instead of trying to be the new enfant terrible and imitating US worst cinema.
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"Liu"Prima（BaifernPimchanokLuevisadpaibul饰）是一名年轻女孩，因为外表而受到欺负。为了在大学重新开始，她接受了整形手术，目的是让自己看起来像一个普通学生。然而，手术结果“过于成功”，让她变得异常美丽，并引起了不必要的关注，而她只想融入其中并避免被欺负。此外，一些人开始嘲笑她的脸做了太多的手术改造，并骂她是人造美。"Guy"Karin（MetawinOpas-iamkajorn饰）是校园里的万人迷，他和Liu在同一所中学上学，知道她整容前的样子，他向她质问此事。与其他许多人不同，在中学时，他从未因为Liu的外表而看不起她。两人很快就变得亲密起来，Guy大部分时间都在照顾Liu，并开始对她产生兴趣。但Liu缺乏自信和害怕被嘲笑，导致她拒绝接受他的感情，尤其是当他们校园里的人认为像Guy这样的人应该和像Faye（JaneRamidaJiranorraphat饰）这样天生丽质的人约会时。
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Thisfilmcriticizesthemonstrouscapitalismasshowingthe‘inferno’thatafamilymanhastoexperiencetoearnalivingforhisfamily.Thecoldanddarkwinteremphasizesthedie-hardlikestruggleofthismiserableman.Thephotographyismarvelousinthisverydarkatmosphere.
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Wyatt,acynicalnarcolepticwholivesinaflophouse-likeapartment,wantstobeajournalist.HiscareerdreamsarenearlydashedwhenhenoticesamysteriousgirlnamedFernlivingonhisblockinan88ToyotaTercelhatchback.FernsfatherwentmissingandassumeddeadwhenshewasayoungchildlivinginMontana.AfterreceivingacrypticletterfromastrangernamedDr.Green,tellingherthatherfatherisaliveandlivinginLA,shedecidestogolookforhimherself.TogetherthetwosetoffonajourneytofindFernselusivedadamongthederelictcornersofthecity,whiledevelopinganotsoplatonicinterestforeachotheralongtheway.
