Capri

搜索"Capri" ,找到 以下影视作品

超越元素
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/ David / Pogue
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PickingupwhereheleftoffinNOVA'spopularspecial,HuntingtheElements,DavidPoguesetsoutonaworldwidequesttofindthekeymoleculesandchemicalreactionsthathavepavedthewayforhumancivilization,life,andeventheuniverseasweknowit.Andalongtheway,heuncoversthesimpleprinciplesthatproducesuchadizzyingdiversityofmatterfromelementsontheperiodictable.Episodesinclude…ReactionsIndestructibleLife
养虎为患安特尔博士的故事
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/ 未知
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/ 内详
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ItunpacksthetruthaboutDocAntle,privatezoooperator.Witnessescomeforwardtosharetheirstoriesofabuseandintimidationthatsethimatthetopofthefoodchain.
福尔摩斯归来记
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在这个地球上,有三个人因歇洛克·福尔摩斯而遐尔闻名;华生、柯南·道尔和杰锐莱·布莱特。三个人,贡献出三个福尔摩斯‘华生嘴里的福尔摩斯、柯南·道尔笔下的福尔摩斯和杰锐莱·布莱特扮演的福尔摩斯。通过华生的嘴与柯南·道尔的笔,我们想象福尔摩斯,而杰锐莱·布莱特堪称完美的精彩演绎,让我们丰富的想象变成丰富的真实。作为全球影迷公认的、独一无二的权威影视版本,作为罕有的两度荣获美国神秘作家作品奖的影视剧,作为一部深入人心、精彩绝伦的福尔摩斯探案剧集,欣赏它,无须太多理由。四个字,就刚刚好:不睹不快。剧集包括:Season3,Episode1:TheEmptyHouse《空屋》9July1986Season3,Episode2:TheAbbeyGrange《格兰其庄园》16July1986Season3,Episode3:TheMusgraveRitual《马斯格鲁夫典礼》23July1986Season3,Episode4:TheSecondStain《第二块血迹》30July1986Season3,Episode5:TheManwiththeTwistedLip《歪唇男人》6August1986Season3,Episode6:ThePriorySchool《修道院公学》13August1986Season3,Episode7:TheSixNapoleons《六个拿破仑半身像》20August1986Season4,Episode1-2:TheSignofFour《四签名》29November1987Season4,Episode3:TheDevil'sFoot《魔鬼之足》6April1988Season4,Episode4:SilverBlaze《银额马》13April1988Season4,Episode5:WisteriaLodge《维斯特里亚寓所》20April1988Season4,Episode6:TheBruce-PartingtonPlans《布鲁斯帕廷顿计划》27April1988Season4,Episode7:TheHoundoftheBaskervilles《巴什克维尔的猎犬》31August1988
正排老公
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据说,从同一个卵子产生的同卵双胞胎将共享一条纽带,就好像他们是同一个人一样。但并不是,同卵双胞胎“Sprite”和“zee”。尽管从出生起就走着和运动员一样的路线,但两人都想成为唯一!
六枪
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Silasidentifiesthemanthatkilledhiswifeandkidnappedhischild,15yearsprior,asFrankValance;Thenewgubernatorialcandidate,andplanstoassassinatehim.
嘻哈星节奏:法国篇
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/ Niska / SCH
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Frenchrappersfreestyle,battleandwritetheirwaytoagame-changing100,000europrizeinamusiccompetitionseriesjudgedbyNiska,ShayandSCH.
再度竞选
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IttellsthestoryofJimmy(Saunders),a42-year-oldman-childwhoselifehasn’tprogressedsincelosingtheelectionforseniorclasspresident25yearspriortothenowcurrentGovernorofTexas.Frustratedwithhiscircumstances,Jimmydecidestore-enrollinhighschoolandrunforclasspresidentagain.Butonceheleavesthesafeconfinesofhisdad’smemorabiliastoreandattemptstojointheTikTok-fueledpaceofGenZ,Jimmyquicklyrealizeshehasawholelotmoretolearnthanjusttheproperuseofgenderpronouns.
西班牙公主
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Starz过去宣布拍摄《白王后TheWhiteQueen》及《白公主TheWhitePrincess》的姐妹篇限定剧《西班牙公主TheSpanishPrincess》,由CharlotteHope饰演女主角。该剧根据PhilippaGregory所著的小说《TheConstantPrincess》及《TheKing’sCurse》改编,现定于美国时间5月8日首播。《西班牙公主》主角为「亚拉冈的凯瑟琳」(CatherineofAragon,CharlotteHope饰演),漂亮﹑聪明﹑出身自西班牙王室的她因为政治婚姻下,带着摩尔人女官Lina来到英国并嫁给威尔士王子亚瑟,女主亦因此成了威尔士王妃,然而二人尚未洞房亚瑟就因病去世。亚拉冈的凯瑟琳声称自己尚为处女,而如果上一段婚姻能判定为无效,那她就可以嫁给亨利七世的次子亨利(未来他继任为亨利八世)。其他主演包括StephanieLevi-John﹑NadiaParkes﹑AaronCobham﹑AngusImrie﹑DameHarrietWalter﹑LauraCarmichael﹑RuairiO’Connor﹑GeorgieHenley﹑ElliotCowan﹑AlexandraMoen﹑PhilipCumbus﹑AlanMcKenna。
梦之船
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Oneweekonacruiseship,withparties,funandnewfriendships.Theall-gayclienteleonboardarepreoccupiedwithtopicssuchasidentity,thebodybeautifulandthesearchforsex.Everyeveningisdedicatedtoanewtheme,challengingthepassengerstoevermoreextravagant,body-huggingoutfits.Inthecabinshowever,thetalkismorethanskindeepasthemenopenupabouttheirprivatelives.Marek,ayoungPolishmanjustwantstobeacceptedandlovedasahumanbeingandnotjustbecauseofhistautbody.DipankarfromIndiahasjustrecentlycomeout;heandPalestinianRamziarerevellinginthekindoffreedomtheycanonlydreamaboutintheirhomophobicsocietiesbackhome.MartinisHIVpositiveandpondershedonisticways,whilePhilippefromFranceobservestheproceedingsonboardserenelyfromhiswheelchair.InhisfeaturefilmdebutdirectorFerlandMilewskisucceedsinprovidingalookbehindthescenesofanostensiblysuperficialworld.Hishumorousapproachhelpshimcreateagenuinebondwiththeprotagonistswhotalkopenlyaboutgaydesires,freeloveandgoodold-fashionedmonogamy.
荣耀六十年1938
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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